Although more time-consuming, being able to make a cast will achieve just that! It’s also worth bearing in mind that the same can apply to forms created by 3D printing. Also, during the process of creation, sculptors may wish for a way of ‘saving’ an important stage in their work, rather like one can on the computer. It has been an inseparable part of sculptural or form-making methods for thousands of years and its importance hasn’t diminished with the development of new materials! It means for example that a form can be modelled in a material which makes modelling easy, such as clay or modelling wax, but which can then be transformed into something permanent such as metal or concrete. Repetition is one thing, but mouldmaking/casting is not all about being able to repeat.
Model-making often involves repetition of forms which make up the whole, whether the columns of a Greek temple or a set of replacement hands for an animation puppet. If you are, or intending to be, a prop-maker or model-maker, it is a fairly essential skill to have. It’s probably fair to estimate that at least 90% of the things we use in our daily lives have relied upon some form of casting for their manufacture. a series of casts, or it may open up ways of manufacturing your own functional product. With more practise it’s not hard to produce your own sculpture edition i.e. Even though the form itself will be no surprise, it feels like making something new. It’s curiously exciting, unpacking a mould for the first time to see how a cast has turned out.
#Casting variables needed for magmasoft modeling how to#
What you can achieve if you know how to make moulds and castsĮveryone I’ve tutored so far has experienced a strong sense of achievement in making a successful casting, even if the original form is ‘found’ i.e.